Direction · Camera · Edit
Film & direction.
Brand films, event films, live multicam and documentary — concepted, directed, shot and cut in rhythm. Corporate projects are typically delivered under NDA; a private showreel is available on request.
From the festival world
Festival films.
An official lens of Ozora Festival since 2012 and Boom Festival since 2018. Full-set films for some of electronic music’s biggest names — proof of endurance, consistency and storytelling at scale.
Ace Ventura @ Boom Festival 2018
The definitive full-set movie — more than five hours from the Dance Temple.
Astrix @ Ozora Festival 2022
Full-set movie. Part of five years of live-set films for Astrix, now past 28 million views.
Astrix @ Boom Festival 2022
Ace Ventura @ Ozora Festival 2018
Astrix @ Ozora 2017 — “Turn On, Tune In, Drop Out”
Capabilities
One crew. Every format.
Concepting and planning, directing teams of operators, and delivering broadcast-ready content for every channel and aspect ratio.
Brand & corporate films
Narrative-led films for launches, culture and recruitment — from treatment and script to final grade.
Event films & highlights
Highlight edits and full documentaries of summits, galas and incentives — built to be shared.
Live multicam & streaming
Broadcast-ready camera operation for hybrid conferences, show openers and award tributes.
Interviews & thought leadership
Polished, well-lit interviews with leaders and experts — for PR, social and internal communications.
Aerial cinematography
CAA-compliant drone operations for venues, resorts, events and establishing shots with scale.
360° & VR content
Immersive 360° photography and video — ideal for virtual venue tours and interactive experiences.
Signature technique
Every cut lands on the beat.
Rhythmic editing synchronises every visual cut with the transients in the soundtrack. Born in festival films, it now gives showreels, product launches and conference openers real momentum.
Press play — then switch the sound on to hear the cuts.
How a film is made
Concept to final cut.
Concept
Objectives, audience and story. A clear treatment, script and visual references before a camera is booked.
Pre-production
Crew, locations, shot lists and schedules. Logistics planned with the discipline of a corporate event.
Production
Multi-camera direction on the day — calm, discreet and respectful of the people in front of the lens.
Post
Rhythmic edit, colour grade, sound and graphics — with versions for every platform and aspect ratio.
More credits
| Will Atkinson | Director of photography | “If I Spoke Your Language” — managing a multi-camera team at A State of Trance (Netherlands) and Dreamstate (Poland). |
|---|---|---|
| Summer Contrast 2024 | Director | Head of the official aftermovie — concept, script, filming and edit of the documentary and promo film. |
| Paul Oakenfold | Official photographer & video | Major UK shows including The O2 and Ministry of Sound — imagery used for national press and ticket campaigns. |
| Juno Reactor | Camera operator | Core visual team for the “Mutant Theatre” stage show. |
| Paul van Dyk | Photography & film | Festival and live-event coverage capturing the connection between artist and crowd. |
Your film
Roll camera.
A brand film, an event, a live stream or a launch opener. Share the brief and receive a considered treatment and proposal.
Start a film